Rt. 18
In chatting with local residents
… during my time as Artist in Residence at the New Bedford National Whaling Historical Park, I heard many personal stories connected to the downtown and the adjoining neighborhoods. and although the city’s nautical past and present loom large in the narrative, I was drawn to more recent and terrestrial tales
I was moved by the stories I heard.
They were specific to that city, yet familiar to any city that affected by urban renewal and highway construction that recklessly or intentionally targeted poor and minority populations. As a visitor with limited time in the city, I was overwhelmed by the number of stories that were not mine to tell.
With my thoughts returning to the highway
… that I drove in on every day,
I started to understand
a performance that would tell the story of that road and the stories of what had been buried under that road.
A story that I could tell.
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The eventual performance / installation centered around knots.
I used them in a manner inspired by quipus. Each string was color coded to a building type, such as commercial or residential.
Each different type of knot was tied while telling the narrative of a certain building and indicated a data about that building, such as condition, utilities, or value.
The knotted string
The string was attached to the location on the highway where that particular building had existed.
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The story was then continued below the handknit road surface where the process was continued with strings to narrate information about the people who had occupied that building with knotted data regarding number of people, racial identity and final destination of the displaced inhabitants.
The road was then returned to its starting
starting position, ready for the story of the next address was that was erased.